The Lights that Blind

Often on this blog I’ve highlighted the importance of diversity, that we as humans are all different and we have differing needs, that one size fits all approaches never work. So, I wish to discuss a very disturbing recent development with cars, that has failed to respect diversity.

In recent times there has been a trend towards ever brighter lights on cars. I used to think that it was just a few modders not considering other motorists, but they seem to have become standard on many new cars. I am talking about Xenon and LED lighting.

The idea behind these lights is that they are more energy efficient (which is great) and enable the driver to see more with there headlights (which by itself is also a good thing). However such lights dazzle other road users. Technically this is illegal:

UK Highway Code Rule 114

  • use any lights in a way which would dazzle or cause discomfort to other road users, including pedestrians, cyclists and horse riders

However this rule is as far as I am aware never enforced and there is no upper brightness limit in law, so dazzle is defined as being subjective. So if I experience dazzle then technically a vehicle with these lights is illegal. Yet nothing is being done about this!

It’s all of the lights on a car thus fitted, which does cause problems:

Headlights

More powerful headlights allow the driver to see more and may decrease some accidents. There has always been the problem of headlights at night causing reduced visibility to on coming drivers and drivers have developed strategies to cope with this. However when the brightness is increased the danger of decreased visibility to other drivers is increased which may increase accidents. There is a balance to be achieved here. However there is no mechanism in place to ensure the safest balance is achieved.

Day Running Lights

What is the point of these, other than to dazzle other drivers? They offer the driver no increased clarity, merely decrease other drivers vision.

Rear Running Lights

These are essential at night so other drivers are can be aware of other active vehicles. However, dazzling the car behind doesn’t help anyone. Most rear running lights are not too bright until brakes are applied

Rear Brake Lights

Perform the vital role of signaling following drivers of braking, that the car is slowing down and that the driver may have spotted a hazard ahead. However id they are too bright, as many of them are now, they dazzle the following drivers, causing them to be able to see less, which has no advantages.

Stationary Brake Lights

When I learnt to drive, the importance of Handbrake – Neutral was drummed into me. This action switches off the rear brake lights, mainly for safety in a collision but also to stop dazzling the driver behind.

Now, sometimes, we are lazy and we hold our cars on the foot brake. This didn’t cause dazzle problems for most people as the lights were not overly bright and on older models of cars the lights were lower down on the car body, more importantly below eye height, so the light wasn’t directly in the centre of the field of vision. This is an increasing problem as most drivers where I live have dropped the Handbrake – Neutral action when stopped temporarily and more worryingly some modern cars which switch the engine off to save fuel when stationary keep the rear brake lights burning holes in following drivers retinas, well give us sun spots anyway. The problem with this is that the following drivers eyes adjust to the bright light, so for a while afterwards their vision is dimmed, which has safety consequences.

So how did we get to a point where new cars are not designed to be safe?

Part of the issue is that we are all different and have different light sensitivity. I raised this issue with friends and colleagues and most people don’t find these brighter lights dazzling or a problem, even though their vision is still dimmed. However I realised that I am not alone, there seems to be a significant minority of people who are more light sensitive, for whom brighter lights are more dangerous.

Remember we are all different and even see the world in different ways. For example, I didn’t realise quite how prevalent various forms of colour-blindness are. So the needs of the light sensitive should be taken into account when designing and regulating cars on the roads.

There doesn’t seem to be any action on this front. I wrote to the government and they are not even looking into this issue. The difficulty is that the car manufacturers lobby governments for minimal regulations, as surely the market will regulate for safety as it is what drivers want.

However, in this case, market forces don’t work. If your car dazzles others it doesn’t affect you as driver, all you see is your slight improvement in visibility, the negative effect is suffered by other road users. But other road users have zero influence on your choice of car and it’s lighting. Having a really bright car that is more noticed may mean that there is a decreased chance of other people running into you, however when all cars are overly bright this advantage is lost and everyone is left with overly bright cars and the roads are overall less safe places.

It is simply dangerous to not consider the needs of others, especially when no wider advantage makes up for the loss of a particular minority. Everyday I witness inconsiderate driving that may cut a few seconds off someones journey only to slow down everyone else. What is more disturbing is when these issues are built into the cars themselves.

There is a potential solution. Driving spectacles have been developed to reduce light glare. Basically they have a yellow tint which filters out the UV/ blue light spectrum which reduces headlight dazzle. I’ll have to check these out!

 

 

 

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Eisteddfod #2

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I picked up some Czech hitchhikers on their holidays on my way to the Eisteddfod this year and was asked where I was headed: ‘What is the National Eisteddfod?’ It isn’t an easy question to answer, because the Eisteddfod Genedlaethol is so much more than simply a cultural festival. This was my second proper Eisteddfod. So having having learnt about the Eisteddfod last year and done it a little more knowledgeably this year, it’s time I should teach someone else how to do it.

It is important to tell people about the Eisteddfod, as so many people in Wales, previously myself included, don’t go to the Eisteddfod or follow it in the media because of this strange phenomenon of being ‘intimidated by the language [Cymraeg/ Welsh]. I know, my very first Eisteddfod experience was when I was fifteen and got a job as a plate scrubber on the Maes when it came to my area and  I was like ‘I don’t speak Welsh, people will expect me to speak Welsh, arghhh!’ This is really just plain silly, so many people are missing out on quite a wonderful event, which can be enjoyed whether you speak Welsh or not. So, I hope the following guide will help people overcome any feelings of intimidation about going next year.

Cystadlaethau / Competitions

Eisteddfodau are essentially a collection of competitions in various art forms, predominantly cerddoriaeth [Music and poetry, which are essentially the same thing]. The grand poetry prize of the Eisteddfod is the Chair [Eistedd = to sit, on the cadair [chair]] The competitions are the very serious bit  at the National Eisteddfod. Personally I used to have a problem with competition in art, because it’s an oxymoron, you don’t do creative things to win things, that isn’t the point. However after two Eisteddfodau [Eisteddfods] I have been convinced. I have heard so many hugely talented young musicians at the Eisteddfod, who just completely push themselves to give their very best at the Eisteddfod and I have been blown away so many times by their performances. There are so many competitions to enjoy, particularly if you love the sound of the telyn [Harp] as much as I do. You do not need to understand Welsh to appreciate the music.

I’m sure there are many people who have a blissful week, just listening to the competitions, yet there are also people who spend the entire week not listening to a single competition, there is so much else going on.

Gwyl Cerddoriaeth/ Music Festival

Outside the competitions, the Eisteddfod is also a celebration of Welsh language culture. So, the Eisteddfod is also a regular music festival, with the best of Welsh language bands and singers on lots of different stages giving performances throughout the day and into the evening, so you can treat the Eisteddfod as just another music festival. So yes, expensive beer and food stands a plenty! Yet again, there is no need to speak Welsh to enjoy music is there? This is my favourite part of it because I love Welsh popular [?] music, yet, liking classical music as well sometimes a competitive performance will win me over! Yet there is still more.

Theatr / Theatre

There are a couple of theatres at the Eisteddfod giving performances of plays and other things by established Welsh theatre companies. The great thing about theatrical performances is that you can follow the story through actions and tone of voice and can really enjoy a show without understanding a single word, which I’ve often done whilst travelling, which is actually a really good primeval way to watch a drama unfold.

There are also actors who wander around in bizarre costumes looking for members of the public to interact and do silly things with. This year some ladies  with lampshade heads were dancing with me.

Y Babell Len a Pabell Cymdeithas/ The ‘Curtain Tent’? [ I am still learning Welsh I’m not sure of this translation!] and the Societies Tent

I know there are some people who don’t like music. I don’t understand these strange folk, but they do exist, maybe you are one of them? So in these tents there are a host of lectures and discussions about all manner of topics. They are in Welsh of course and even I, after eighteen months of learning Welsh, only understand about half of what is said. So, there is this mini Welsh Hay festival going on too.

It is worth going just to experience simultaneous translation. Basically the translator listens to the Welsh and then instantly translates it into English to you via headphones. These people are amazing, to be able to keep listening in one language, translate and  speak in another language, while continuing to listen in another language, without going completely mad is such a high level skill and so impressive.

Y Stondin / The Stands

All of the above can be overwhelming and far too exciting, so you may need a break,  angen paned o goffi [need a cup of coffee]  and the opportunity to stretch your legs for a bit. So head to the stands. The stands are essentially trade stands , but so much more. There are squillions of book shops to stock up on Welsh language books, because, sadly, most bookshops don’t stock books in Welsh, I understand there are some books in English too, lots of other shops to browse/ buy cakes from, but also the stands of various organisations in Wales, where you can find out about what they do, have a nice chat in whichever language you fancy, a paned and often these stands hold their own musical performances and programmes of discussions too. Sometimes you will stumble on some very strange yet wonderful things:

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‘Classifieds y Farmers Guardian’ gan y Welsh Whisperer

 

Pethau eraill / Other Things

As if all that wasn’t enough there is also an art gallery, a history museum, a science and technology tent (well this tent seems to largely cater to keeping children entertained with fun things to do, but worth a going as an adult too).

If you are Welsh you will also meet random people from your childhood/ earlier life, which is always nice. So there is so much to enjoy and do and I haven’t even mentioned Y Gorsedd, who wear strange robes and perform strange rituals at various points of the week and carry around a very large sword; it’s ok, mae’n heddwch [there is peace]. I have no idea what happens if there isn’t peace…

There is so much to do and enjoy at the Eisteddfod. I went for just three days this year and didn’t get to do as much as I wanted to and wished I could have had more time. And you really don’t need to speak any Welsh at all, a simple  ‘Dw i ddim yn siarad Cymraeg’ / ‘I don’t speak Welsh’ is all that is required if someone seems to be speaking Welsh at you.

Of course if you are learning Welsh, the Eisteddfod is an amazing playground to practice speaking and listening and the more Welsh you know, the more a part of the Eisteddfod you will become. Personally I did indeed enjoy the Eisteddfod even more with another year of Welsh under my belt. However even if you have zero Welsh, timetables and maps are provided in English to help non-Welsh speakers navigate their way around the Eisteddfod, it’s very accessible and very friendly, there is no need to feel intimidated at all.

Just cofio [remember] that Welsh speakers have to speak in English all the time, every day, so really appreciate the Maes as a place where they can speak in Welsh all day yn gyntaf [firstly], yet are happy to speak English with anyone who hasn’t learnt to speak Welsh yet. Speaking in Welsh isn’t being rude and neither is speaking in English rude as long as you are willing to listen and communicate as you can. It’s ridiculous that this non-issue comes up so often. Rant over

Amgylch y Maes / Around the Maes

Y Maes / The Maes / The ‘field’ is where all the action described above takes place. I and others are not sure how this is going to work next year when the Eisteddfod will be in the centre of Cardiff, the Welsh capital, but the concept of the Maes is quite important I think. However there are other ‘Maeses’ which can confuse the uninitiated:

Maes B

Maes B is usually located outside the main Maes. It contains an adult campsite (the cheapest place to stay at the Eisteddfod!) it is generally full of young Welsh speakers. Indeed spending a week at Maes B is regarded as a rite of passage for young Welsh speaking adults, to chill and make new friends. Also, for the last four nights of the Eisteddfod the big names of Welsh rock perform late night concerts on the Maes B stage in front of the aforementioned young and now often quite drunk people. It is quite an experience, though there are usually a few old fogies like me bopping away ar y cefn [at the back]

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Helo Maes B!

Maes C

Maes C ( Maes Carafannau a Campio) isn’t very exciting, it is simply the camp site next to the Maes where families stay, it’s quite pricey and books up early.

Maes D

Confusingly, Maes D, Maes y Dysgwr [Learners Maes] isn’t really a Maes as it’s part of the main Maes itself, it is found next to the Mynedfa (Entrance) and is the Welsh learners tent. I think the  idea is that you pop in to learn some Welsh over a paned to prepare you for entry to the Maes proper.  A place if you lack confidence in your Welsh, or somewhere supportive to ymarfer siarad [practice speaking], want to learn a few phrases or to start the day with a reasonably priced coffee, give Maes D a visit. Maes D also has it’s own stage, for Welsh lessons, discussions and a few musical performances tailored to those not yet rhugl [fluent]

Maes E

There is no Maes E. Well there is the song ‘Maes E‘ by Datblygu about the Eisteddfod experience. Incidentally , the song which I heard them perform at my very first Eisteddfod when I was fifteen! However, there is usually an Eisteddfod ‘fringe’ of competitions, discussions, gigs etc held at venues close to the Maes, but not ‘officially’ part of the Eisteddfod.

So there you are then, a guide to the Eisteddfod Genedlaethol. Just by reading this article you probably have enough Welsh to enjoy the Eisteddfod.

Edrych ymlaen i weli di ar y maes flwyddyn nesaf [Looking forward to seeing you on the Maes next year]!